Brindle Media

Posts Tagged ‘Scott Haddeberg’

“When you rule out an entire class of people from doing a job simply because of their appearance, you’re less likely to find the person best suited for the job.”-Michael Lewis in MONEYBALL.

Michael Lewis is a journalist who writes like a novelist. The first time I encountered Lewis’ work was in his book, THE NEW NEW THING. Understand that I’m a very slow book reader. My reading tends to be in the snack-o-tainment style of magazine articles and , now, blog pieces. It can easily take me a month to 6 months to read a book which is why I tend to prefer audiobooks which I can “read” during commutes.

THE NEW NEW THING was an exception. While accompanying my wife on a weekend business trip to Phoenix, I couldn’t stop reading it and completed the whole book in a couple of days. That’s when Michael Lewis became one of my favorite writers.

I don’t buy audiobooks. I get them free from the library. But I did buy the audiobook of MONEYBALL because I was fascinated with the concept of using sabermetrics to assess performance. To me, it was more like a textbook than a mere reading experience. But I was a little surprised when I learned that the book had been made into a movie. Guess I shouldn’t have been given that movie adaptation of “The Blind Side” was such a big hit.

During an interview about the movie version of THE BLIND SIDE, I’d heard Michael Lewis talk about how once he sells the film writes to a book he relinquishes control and is usually eliminated from the project. In his recent interview with Jon Stewart, Lewis indicated that he’d expected the movie adaptation of MONEYBALL to be a disaster but that he’d been pleasantly surprised.

We saw the MONEYBALL movie last night.

Apparently, Paul DePodesta, who is a central character in the book, did not want to be represented in the movie. So the character of Peter Brand as played by Jonah Hill was created as an amalgamation of DePodesta and other members of the Oakland A’s staff. Hill’s movie career has primarily been playing obnoxious geeky characters in Judd Apatow movies. He’s geeky but vulnerably likable in this role.

The book chronicles the pre-Oakland A’s experiences of several key characters: Billy Beane, Paul DePodesta, Chad Bradford, and Scott Haddeberg. We hear anecdotal observations about Beane and his mercurial nature but we don’t really get to know much about him. The movie is more centered around Billy as the main character and, with Brad Pitt in the starring role, we get to learn more of his experiences as a person. It could be titled “Moneyball:The Billy Beane Story”. I’m unclear about how much of the personal interactions between Billy Beane, his wife and her new partner or Billy and his daughter are fictionalized but they play well in the context of a movie. Pitt’s performance is relatively low-key with occasional outbursts and you find yourself rooting for both Beane and his team of outcasts as the underdogs. My emotional reaction reminded me a lot of those I experienced while watching the movie version of “Seabiscuit”

The book ends with the story about how Scott Haddeberg inadvertently broke his Louisville Slugger contract by grabbing the wrong bat when he was unexpectedly called in to pinch hit for what turned out to be a record-breaking game. The movie doesn’t include that story and instead ends with Billy Beane in a “dad” moment.

It works.

Postscript: I’m an advocate for Billy Beane’s sabermetrics approach but there is a certain irony that Tony LaRussa, who Billy forced out, has been the manager of two World Series contending teams since leaving the A’s organization while A’s have yet to make it into the Series. Tony likes to employ all those old baseball tricks like sacrifice bunts, etc that sabermetrics indicate are ineffective.